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LOS ANGELES (JTA)– Gordon Davidson, a Brooklyn-born director and producer who played a key role in transforming Los Angeles from a perceived theatrical backwater into a creative center for innovative and controversial plays, has died<\/p>\n
Davidson died Sunday after collapsing at dinner in his Santa Monica, California, home. He was 83.<\/p>\n
As the founder of the Mark Taper Forum, and as a producer of more than 300 works and director of some 40 plays for its Center Theatre Group, he brought the Los Angeles theater scene out of the shadow of the movie business and into the spotlight in its own right.<\/p>\n
The late Gil Cates, the producing director of the Geffen Playhouse, once described Davidson as “the Moses of theater in Los Angeles.\u201d<\/p>\n
The banner years of the early 1990s saw original productions at Taper of the six-hour landmark dramas \u201cThe Kentucky Cycle\u201d by Robert Schenkkan and Tony Kushner\u2019s \u201cAngels in America.” The works won the Pulitzer Prize in back-to-back years. In 1994, three out of four plays vying for the Tony Award were originally Taper productions.<\/p>\n
In both his personal and professional lives, Davidson drew frequently on his Jewish heritage. He directed or produced such Jewish-themed works as \u201cDybbuk,\u201d \u201cNumber Our Days,\u201d \u201cTales from Hollywood,\u201d \u201cGreen Card,\u201d \u201cThe Immigrant\u201d and \u201cGhetto.\u201d<\/p>\n
\u201cI guess we are the prototype of the American Jewish family,\u201d he observed during one of a series of interviews with this reporter over a quarter of a century. \u201cMy paternal grandfather, born in a small town near Kiev, was Orthodox, my father was Conservative and I\u2019m Reform.\u201d<\/p>\n
In a 2007 interview, Davidson said a major influence was his affiliation with the Leo Baeck Temple, a liberal Reform congregation in West Los Angeles led by a succession of socially active rabbis. He drew a parallel between their work and his own as artistic director.<\/p>\n
\u201cIn some ways, both deliver sermons,\u201d he said. \u201cSometimes a rabbi has to ask disturbing questions which his audience may not want to hear. The artist has the same function.\u201d<\/p>\n
Davidson is survived by Judy, his wife of 57 years; their children, Adam Davidson and Rachel Davidson Janger; brothers Michael and Robert, and five granddaughters.<\/p>\n