{"id":43003,"date":"2018-05-17T11:38:59","date_gmt":"2018-05-17T17:38:59","guid":{"rendered":"https:\/\/www.crescentcityjewishnews.com\/?p=43003"},"modified":"2018-05-17T11:38:59","modified_gmt":"2018-05-17T17:38:59","slug":"spike-lees-jewish-characters-have-gotten-better-since-mo-better-blues","status":"publish","type":"post","link":"https:\/\/www.crescentcityjewishnews.com\/blog\/spike-lees-jewish-characters-have-gotten-better-since-mo-better-blues\/","title":{"rendered":"Spike Lee\u2019s Jewish characters have gotten better since \u2018Mo\u2019 Better Blues"},"content":{"rendered":"<p>By RON KAMPEAS<\/p>\n<p>(JTA) \u2014 Spike Lee is releasing a new \u201cjoint\u201d in August. \u201cBlacKkKlansman\u201d is a buddy cop film purportedly based on real events, in which a black officer (John David Washington, of the HBO show \u201cBallers\u201d) and a Jewish officer (Adam Driver, of \u201cGirls,\u201d \u201cStar Wars\u201d sequels and more) team up to infiltrate a Colorado Springs branch of the Ku Klux Klan, led by David Duke (Topher Grace, of \u201cThat \u201970s Show\u201d).<\/p>\n<p>From the trailer, Washington and Driver appear to cultivate the easy-going bromance common to such films.<\/p>\n<div id=\"attachment_43015\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2018\/05\/spike-1.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-43015\" class=\"wp-image-43015 size-medium lazyload\" data-src=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2018\/05\/spike-1-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" data-srcset=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2018\/05\/spike-1-300x200.jpg 300w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2018\/05\/spike-1-768x512.jpg 768w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2018\/05\/spike-1-1024x683.jpg 1024w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/200;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-43015\" class=\"wp-image-43015 size-medium\" src=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2018\/05\/spike-1-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2018\/05\/spike-1-300x200.jpg 300w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2018\/05\/spike-1-768x512.jpg 768w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2018\/05\/spike-1-1024x683.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/noscript><\/a><\/p>\n<p id=\"caption-attachment-43015\" class=\"wp-caption-text\">Spike Lee at the Cannes Film Festival, May 15, 2018. (Pascal Le Segretain\/Getty Images)<\/p>\n<\/div>\n<p>Lee\u2019s depiction of the black-Jewish relationship has come a long way since the release of \u201cMo\u2019 Better Blues\u201d (1990), his second major film after his breakout, \u201cDo the Right Thing\u201d (1989). The film\u2019s depiction of two conniving Jewish impresario brothers was widely condemned at the time as&nbsp;<a href=\"https:\/\/www.nytimes.com\/1990\/08\/16\/movies\/critic-s-notebook-spike-lee-s-jews-passage-benign-cliche-into-bigotry.html\" target=\"_blank\" rel=\"noopener\">anti-Semitic<\/a>.<\/p>\n<p>In ensuing interviews, Lee doubled down and insisted he was not anti-Semitic, but often by&nbsp;<a href=\"https:\/\/www.nytimes.com\/1990\/08\/16\/movies\/critic-s-notebook-spike-lee-s-jews-passage-benign-cliche-into-bigotry.html\" target=\"_blank\" rel=\"noopener\">advancing&nbsp;<\/a>anti-Semitic arguments: Jews controlled Hollywood, and they wouldn\u2019t let him be anti-Semitic, right? What\u2019s more, there was no stereotype: Like the Jewish characters in the film, Jews do exploit blacks!<\/p>\n<p>\u201cIn the history of American music, there have not been Jewish people exploiting black musicians?\u201d he said to&nbsp;<a href=\"http:\/\/nymag.com\/movies\/profiles\/19144\/index5.html\" target=\"_blank\" rel=\"noopener\">New York Magazine<\/a>&nbsp;in 2006. \u201cIn the history of music? How is that being stereotypical?\u201d<\/p>\n<p>And yet, in his subsequent films, there was evidence he was listening to Jews and trying to understand what it was to be Jewish in the American landscape. His Jewish characters morphed from offensive stereotypes into thoughtful considerations of complicated people. (His treatment of women underwent a similar trajectory, from playing anal rape for laughs in \u201cShe\u2019s Gotta Have It,\u201d his first movie made fresh out of New York University film school in 1986, to \u201cChi-Raq,\u201d his 2015 take on the feminist ancient Greek play \u201cLysistrata.\u201d)<\/p>\n<p>Here\u2019s a review of Spike Lee\u2019s Mo\u2019 Better Jews:<\/p>\n<p><strong>\u201cMo\u2019 Better Blues\u201d (1990)<\/strong><\/p>\n<p><em><strong>Jewish characters<\/strong><\/em>: Moe and Josh Flatbush, played by real-life brothers John and Nicholas Turturro, who are not Jewish. (John Turturro, who\u2019s Italian, often plays Jewish characters in Coen Brothers\u2019 films.)<\/p>\n<p><em><strong>Jewish quotient<\/strong><\/em>: The Flatbushes speak with broad New York Jewish accents as they ruthlessly exploit the jazz musicians who are the film\u2019s protagonists.<\/p>\n<p>\u201cThe Flatbush brothers are the film\u2019s villains, their greed inseparable from their Jewish identity,\u201d The New York Times&nbsp;<a href=\"https:\/\/www.nytimes.com\/1990\/08\/16\/movies\/critic-s-notebook-spike-lee-s-jews-passage-benign-cliche-into-bigotry.html\" target=\"_blank\" rel=\"noopener\">wrote<\/a>&nbsp;at the time. \u201cAnd because there are no other Jews to offset them, they become tokens of an entire ethnic group.\u201d<\/p>\n<p><em><strong>Key dialogue<\/strong><\/em>: Josh (Nicholas Turturro) says \u201cI only trust my mother \u2026 sometimes,\u201d and the brothers accuse an impoverished client of \u201ctrying to take food out of our kids\u2019 mouths.\u201d<\/p>\n<p><strong>\u201cClockers\u201d (1995)<\/strong><\/p>\n<p><em><strong>Jewish character<\/strong><\/em>&nbsp;\u2014 Rocco Klein, played by Harvey Keitel, who is Jewish.<\/p>\n<p><em><strong>Jewish quotient<\/strong><\/em>: The book is based on a novel by the Bronx-raised Jewish novelist Richard Price. Rocco and his partner cop investigate a murder case in Brooklyn\u2019s drug underworld. When someone confesses to the crime, Rocco doesn\u2019t believe it and keeps digging, even though his fellow cops don\u2019t care about the African-American victim and the alleged African-American perpetrator. His obsession leads to this choice exchange with a drug dealer, played by Delroy Lindo:<\/p>\n<p><em><strong>Key dialogue<\/strong><\/em>: Rodney: Rocco Klein \u2026 Rocco Klein, you know, I\u2019ve always wanted to ask you: you Italian, you a Jew? I mean, what are you? You can\u2019t make up your mind?<br \/>\nRocco: Me?<br \/>\nRodney: Yeah, you.<br \/>\nRocco: I\u2019m from the lost black tribe of Israel, the Yo\u2019s.<\/p>\n<p><strong>\u201cGet on the Bus\u201d (1996)<\/strong><\/p>\n<p><em><strong>Jewish character<\/strong><\/em>: Rick, played by Richard Belzer, who is Jewish.<\/p>\n<p><em><strong>Jewish quotient<\/strong><\/em>: Rick, a bus driver, is asked by an African-American colleague, George, to be his co-driver for a trip from Los Angeles to Washington D.C. for the&nbsp;<a href=\"https:\/\/www.britannica.com\/event\/Million-Man-March\" target=\"_blank\" rel=\"noopener\">Million Man March<\/a>. At first, Rick treats the gig as he would any job, but he finds himself quarreling more and more with the passengers as he grapples with the tensions between the civil rights ideals of the marchers and the fact that the march is organized by a notorious anti-Semite: Nation of Islam leader Louis Farrakhan. Rick eventually tells George he can\u2019t continue.<\/p>\n<p><em><strong>Key dialogue<\/strong><\/em>: George: Well okay, let\u2019s just get it out in the open. I\u2019ll bet you\u2019d like to call me a nigger or, what do you call it, a schvartze, or whatever the fuck it is. Well, I\u2019m going to allow you to say it, go ahead.<br \/>\nRick: I never called anybody that in my life. All I\u2019m saying is that if this bus is going to the Farrakhan march, I can\u2019t be a part of that.<br \/>\nGeorge: This is not just Farrakhan\u2019s march.<br \/>\nRick: I don\u2019t want to debate this thing. He called Judaism a gutter religion; he said Hitler was a great man. I wouldn\u2019t expect you to drive a bus to a Ku Klux Klan rally, so don\u2019t expect me to do this.<br \/>\nGeorge: So now you\u2019re comparing this to a Klan rally.<\/p>\n<p><strong>\u201c25th Hour\u201d&nbsp; (2002)<\/strong><\/p>\n<p><em><strong>Jewish character<\/strong><\/em>: Jacob Elinsky, played by the late Philip Seymour Hoffman, who was not Jewish.<\/p>\n<p><em><strong>Jewish quotient<\/strong><\/em>: Monty Brogan, played by Edward Norton, is a drug dealer sentenced to seven years in prison who is spending his last 24 hours of freedom with his closest longtime friends \u2014 Elinsky, a teacher, and Frank Slaughtery, a stockbroker played by Barry Pepper. Each man grapples with how their promising lives have veered off course. Elinksy is an English teacher who gave up the trappings of a Manhattan upbringing with hopes of changing the lives of his students. He\u2019s also now on the verge of an affair with one of them, who is 17 years old.<\/p>\n<p><em><strong>Key dialogue<\/strong><\/em>: Jacob chastises Frank for \u201cdefraud[ing] foreign governments\u201d at work while ignoring the reality around him.<\/p>\n<p>Frank: Jacob, you\u2019re a rich Jewish kid from the Upper East Side who\u2019s ashamed of his wealth. You walk around unhappy 24\/7, trying to make up for the fact that you were born privileged. Fuck that! You know what? That\u2019s just some knee-jerk liberalism bullshit, man. You call that reality?<\/p>\n<p><strong>\u201cBlacKkKlansman\u201d (2018)<\/strong><\/p>\n<p><em><strong>Jewish character<\/strong><\/em>: Flip Zimmerman, played by Adam Driver \u2014 who, like Turturro, is not Jewish but often plays Jews.<\/p>\n<p><em><strong>Jewish quotient<\/strong><\/em>: From the trailer, we can see John David Washington is Ron Stallworth, the first black to join the Colorado Springs police force. He initiates an investigation into the local branch of the Ku Klux Klan by calling them up and asking to join their ranks. But he needs a white man to act as him in their presence, and he enlists Driver\u2019s character Zimmerman.<\/p>\n<p><em><strong>Key dialogue (from the trailer)<\/strong><\/em>: Zimmerman: For you it\u2019s a crusade, for me it\u2019s a job.<br \/>\nStallworth: You\u2019re Jewish. That hatred, doesn\u2019t that piss you off? Why you acting like you ain\u2019t got skin in the game?<\/p>\n<div style=\"padding-bottom:20px; padding-top:10px;\" class=\"hupso-share-buttons\"><!-- Hupso Share Buttons - https:\/\/www.hupso.com\/share\/ --><a class=\"hupso_toolbar\" href=\"https:\/\/www.hupso.com\/share\/\"><img decoding=\"async\" data-src=\"https:\/\/static.hupso.com\/share\/buttons\/share-medium.png\" style=\"border:0px; padding-top: 5px; float:left;\" alt=\"Share Button\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" \/><noscript><img decoding=\"async\" src=\"https:\/\/static.hupso.com\/share\/buttons\/share-medium.png\" style=\"border:0px; padding-top: 5px; float:left;\" alt=\"Share Button\"\/><\/noscript><\/a><script type=\"text\/javascript\">var hupso_services_t=new Array(\"Twitter\",\"Facebook\",\"Google Plus\",\"Pinterest\",\"Linkedin\",\"Tumblr\",\"Email\");var hupso_background_t=\"#EAF4FF\";var hupso_border_t=\"#66CCFF\";var hupso_toolbar_size_t=\"medium\";var hupso_image_folder_url = \"\";var hupso_url_t=\"\";var hupso_title_t=\"Spike%20Lee%E2%80%99s%20Jewish%20characters%20have%20gotten%20better%20since%20%E2%80%98Mo%E2%80%99%20Better%20Blues\";<\/script><script type=\"text\/javascript\" src=\"https:\/\/static.hupso.com\/share\/js\/share_toolbar.js\"><\/script><!-- Hupso Share Buttons --><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[7139],"tags":[9386],"_links":{"self":[{"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/posts\/43003"}],"collection":[{"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/comments?post=43003"}],"version-history":[{"count":1,"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/posts\/43003\/revisions"}],"predecessor-version":[{"id":43027,"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/posts\/43003\/revisions\/43027"}],"wp:attachment":[{"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/media?parent=43003"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/categories?post=43003"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/tags?post=43003"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}