{"id":57264,"date":"2020-10-02T18:07:12","date_gmt":"2020-10-03T00:07:12","guid":{"rendered":"https:\/\/www.crescentcityjewishnews.com\/?p=57264"},"modified":"2020-10-02T18:07:12","modified_gmt":"2020-10-03T00:07:12","slug":"succot-the-pandemic-and-a-lynching-come-together-in-a-multiracial-jewish-dancers-new-art-installation","status":"publish","type":"post","link":"https:\/\/www.crescentcityjewishnews.com\/blog\/succot-the-pandemic-and-a-lynching-come-together-in-a-multiracial-jewish-dancers-new-art-installation\/","title":{"rendered":"Succot, the pandemic and a lynching come together in a multiracial Jewish dancer\u2019s new art installation"},"content":{"rendered":"<p>By JOSEFIN DOLSTEN<\/p>\n<p>(JTA) \u2014 For his latest installation, dancer and choreographer Adam McKinney drew inspiration from what may seem like disparate sources: the Jewish holiday of Succot, the coronavirus pandemic and the 1921 lynching of a Black man in Texas.<\/p>\n<div id=\"attachment_57265\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2020\/10\/9-30-20-shelter-scaled.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-57265\" class=\"wp-image-57265 size-medium lazyload\" data-src=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2020\/10\/9-30-20-shelter-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" data-srcset=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2020\/10\/9-30-20-shelter-300x225.jpg 300w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2020\/10\/9-30-20-shelter-1024x768.jpg 1024w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2020\/10\/9-30-20-shelter-768x576.jpg 768w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2020\/10\/9-30-20-shelter-1536x1152.jpg 1536w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2020\/10\/9-30-20-shelter-2048x1536.jpg 2048w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/225;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-57265\" class=\"wp-image-57265 size-medium\" src=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2020\/10\/9-30-20-shelter-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2020\/10\/9-30-20-shelter-300x225.jpg 300w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2020\/10\/9-30-20-shelter-1024x768.jpg 1024w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2020\/10\/9-30-20-shelter-768x576.jpg 768w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2020\/10\/9-30-20-shelter-1536x1152.jpg 1536w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2020\/10\/9-30-20-shelter-2048x1536.jpg 2048w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/noscript><\/a><\/p>\n<p id=\"caption-attachment-57265\" class=\"wp-caption-text\">Adam McKinney&#8217;s installation at the Oregon Jewish Museum and Center for Holocaust Education is part of a new project that puts art in and outside closed Jewish museums for Sukkot. (Courtesy of Alisha Babbstein and the Oregon Jewish Museum and Center for Holocaust Education)<\/p>\n<\/div>\n<p>\u201cShelter in Place\u201d consists of a \u201cdeconstructed sukkah,\u201d tree branches hanging from the ceiling and elements making up the schach, a see-through material put on top of the sukkah, at the floor.<\/p>\n<p>On white walls in the sukkah are projected images of tintype photographs in which McKinney is posing as Fred Rouse, a Black butcher who was lynched in Fort Worth and of whom no pictures have been located. A film of McKinney portraying Rouse is also projected, as well as a Thomas Edison film from 1897 of a young Black boy dancing in front of a group of white men.<\/p>\n<p>The last element of the installation, titled \u201cGlorious Clouds,\u201d contains a hologram of McKinney performing a dance inspired by the clouds that God sent to guide the Israelites when they left Egypt.<br \/>\nThe various parts are connected in many ways that may not seem apparent at first glance. The hanging branches from the deconstructed sukkah are reminiscent of lynchings, where Black and sometimes Jewish bodies could be found hanging from trees. The clouds for McKinney represent comfort and healing, which he views as necessary for dealing with longstanding racial trauma in the United States.<\/p>\n<p>And the idea of a succah as a dwelling place also takes on a new meaning during the pandemic, where most people are staying at home.<\/p>\n<p>\u201cMy goal with \u2018Shelter in Place\u2019 is to not only look at the effect of COVID-19 around isolation, around shelter and having to shelter in place, but it is also to explicitly look at the impact of anti-Black racist violence and to respond as a Black Jewish person,\u201d said McKinney, who serves as co-director and co-founder of the arts organization DNAWORKS and assistant professor of dance at Texas Christian University.<\/p>\n<p>The exhibit is part of a new project called \u201cDwelling in a Time of Plagues\u201d that is finding ways for Jewish museums to display art even while they are closed due to the coronavirus pandemic. McKinney\u2019s work will be housed inside the Oregon Jewish Museum and Center for Holocaust Education in Portland starting Friday and be viewable through its windows.<\/p>\n<div id=\"attachment_57266\" style=\"width: 310px\" class=\"wp-caption alignright\"><a href=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2020\/10\/black-bg-2160x1200-2.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-57266\" class=\"wp-image-57266 size-medium lazyload\" data-src=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2020\/10\/black-bg-2160x1200-2-300x167.jpg\" alt=\"\" width=\"300\" height=\"167\" data-srcset=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2020\/10\/black-bg-2160x1200-2-300x167.jpg 300w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2020\/10\/black-bg-2160x1200-2-1024x569.jpg 1024w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2020\/10\/black-bg-2160x1200-2-768x427.jpg 768w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2020\/10\/black-bg-2160x1200-2-1536x853.jpg 1536w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2020\/10\/black-bg-2160x1200-2-2048x1138.jpg 2048w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/167;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-57266\" class=\"wp-image-57266 size-medium\" src=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2020\/10\/black-bg-2160x1200-2-300x167.jpg\" alt=\"\" width=\"300\" height=\"167\" srcset=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2020\/10\/black-bg-2160x1200-2-300x167.jpg 300w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2020\/10\/black-bg-2160x1200-2-1024x569.jpg 1024w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2020\/10\/black-bg-2160x1200-2-768x427.jpg 768w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2020\/10\/black-bg-2160x1200-2-1536x853.jpg 1536w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2020\/10\/black-bg-2160x1200-2-2048x1138.jpg 2048w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/noscript><\/a><\/p>\n<p id=\"caption-attachment-57266\" class=\"wp-caption-text\">Adam McKinney draws inspiration in his work from his Jewish, Black and Native American ancestry. (Andrew Eccles)<\/p>\n<\/div>\n<p>The Jewish History Museum in Tucson is showing art by Buenos Aires-based multidisciplinary artist Mirta Kupferminc and the Holocaust Museum in Los Angeles is hosting an installation by Bay Area visual artist and filmmaker Tiffany Woolf. Both installations will be shown outside the museums at the start of Succot. Photos and videos from all three installations also will be displayed in the ground-floor windows of the 14th Street Y in New York.<\/p>\n<p>\u201cProjects such as \u2018Dwelling\u2019 create new configurations of talent, and as we look at the constrictions of the pandemic and the economy and safety, how will we use the creative assets of the Jewish community in new configurations?\u201d asked Melissa Martens Yaverbaum, executive director of the Council of American Jewish Museums, which collaborated on the project alongside Reboot, Asylum Arts and Laba: A Laboratory for Jewish Culture.<\/p>\n<p>\u201cI think we\u2019ve all been producing content for decades to serve the community and the public, and it\u2019s time to think about new ways of leveraging the voices, leveraging the talent and to look at the holidays as an opportunity.\u201d<\/p>\n<p>A second round of the project, which is being funded by Canvas, an initiative of the Jewish Funders Network that seeks to elevate Jewish arts and culture, will see installations at Jewish museums during Passover.<\/p>\n<p>\u201cWe\u2019ve seen that the pandemic has had a profound impact on everyone obviously, but the arts community has suffered in a very, very deep way economically,\u201d Canvas founder Lou Cove said. \u201cThe creative Jewish economy is struggling \u2026 and we really wanted to find a way to help as many artists and creatives as we could in this moment, recognizing that they are helping us so much to weather this pandemic. Artists and creatives are the ones who are distracting us, they\u2019re helping us process the pandemic, they\u2019re making us laugh.\u201d<\/p>\n<p>All the works grapple with the reality of the pandemic along with a number of other pressing issues, including institutional racism and ageism, forced isolation, global warming, and the crisis for migrants and refugees.<\/p>\n<p>For McKinney, who worked on the installation with his theater director husband Daniel Banks, the project provided a way to draw on the various parts of his identity in order to engage a diverse group of people. McKinney grew up in a Jewish family in Milwaukee, the son of a mother with roots in Eastern Europe and a father with African-American and Native American ancestry.<\/p>\n<p>\u201cI think it\u2019s a way for as many people to get connected to the work as possible, and it\u2019s also representative of my experience as a mixed-heritage Jew,\u201d he said. \u201cThat it\u2019s not like I see the world in one way, it\u2019s that I see the world in many different dimensions. That my experience of the world is one that is Black, and that is Jewish, and that is gay and that is Native heritage.\u201d<\/p>\n<p>It also allowed McKinney to break barriers \u2014 he\u2019s the first Jew of color to show his art at the Oregon Jewish Museum.<\/p>\n<p>\u201cThe opportunity to show the work of a Jew of color is particularly at this fraught moment, where Portland is the center of the Black Lives Matter protest movement, it\u2019s actually quite an honor to be able to show his work and to see how as a Jew of color he navigates both Jewish tradition and his Blackness,\u201d said the museum\u2019s director, Judy Margles.<\/p>\n<p>Due to the pandemic, McKinney had to create the entire installation from his home in Texas. That meant many Zoom calls and sharing architectural drawings of the museum\u2019s layout, so he could make sure the work fit the space.<\/p>\n<p>\u201cIt\u2019s been a challenge, and we\u2019re up to that challenge,\u201d he said. \u201cAnd that\u2019s what we do as artists. And thinking about, is racism a challenge? Absolutely. Is anti-Semitism a challenge? Absolutely. And we still move in the direction of each other, and we still move in the direction of healing, and we still remember so that we\u2019ll never forget. And it\u2019s painful and hard and we keep doing it because we know that it makes a difference.\u201d<\/p>\n<div style=\"padding-bottom:20px; padding-top:10px;\" class=\"hupso-share-buttons\"><!-- Hupso Share Buttons - https:\/\/www.hupso.com\/share\/ --><a class=\"hupso_toolbar\" href=\"https:\/\/www.hupso.com\/share\/\"><img decoding=\"async\" data-src=\"https:\/\/static.hupso.com\/share\/buttons\/share-medium.png\" style=\"border:0px; padding-top: 5px; float:left;\" alt=\"Share Button\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" \/><noscript><img decoding=\"async\" src=\"https:\/\/static.hupso.com\/share\/buttons\/share-medium.png\" style=\"border:0px; padding-top: 5px; float:left;\" alt=\"Share Button\"\/><\/noscript><\/a><script type=\"text\/javascript\">var hupso_services_t=new Array(\"Twitter\",\"Facebook\",\"Google Plus\",\"Pinterest\",\"Linkedin\",\"Tumblr\",\"Email\");var hupso_background_t=\"#EAF4FF\";var hupso_border_t=\"#66CCFF\";var hupso_toolbar_size_t=\"medium\";var hupso_image_folder_url = \"\";var hupso_url_t=\"\";var hupso_title_t=\"Succot%2C%20the%20pandemic%20and%20a%20lynching%20come%20together%20in%20a%20multiracial%20Jewish%20dancer%E2%80%99s%20new%20art%20installation\";<\/script><script type=\"text\/javascript\" src=\"https:\/\/static.hupso.com\/share\/js\/share_toolbar.js\"><\/script><!-- Hupso Share Buttons --><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":57266,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[7134,643],"tags":[10915,5316,896,8790,8795,8788],"_links":{"self":[{"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/posts\/57264"}],"collection":[{"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/comments?post=57264"}],"version-history":[{"count":1,"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/posts\/57264\/revisions"}],"predecessor-version":[{"id":57267,"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/posts\/57264\/revisions\/57267"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/media\/57266"}],"wp:attachment":[{"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/media?parent=57264"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/categories?post=57264"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/tags?post=57264"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}