{"id":81384,"date":"2024-06-07T16:28:35","date_gmt":"2024-06-07T21:28:35","guid":{"rendered":"https:\/\/www.crescentcityjewishnews.com\/?p=81384"},"modified":"2024-06-14T17:27:02","modified_gmt":"2024-06-14T22:27:02","slug":"in-here-there-are-blueberries-playwrights-moises-kaufman-and-amanda-gronich-focus-on-the-perpetrators-of-the-holocaust","status":"publish","type":"post","link":"https:\/\/www.crescentcityjewishnews.com\/blog\/in-here-there-are-blueberries-playwrights-moises-kaufman-and-amanda-gronich-focus-on-the-perpetrators-of-the-holocaust\/","title":{"rendered":"In \u2018Here There Are Blueberries,\u2019 playwrights Mois\u00e9s Kaufman and Amanda Gronich focus on the perpetrators of the Holocaust"},"content":{"rendered":"<p>By ANDREW SILOW-CARROLL<\/p>\n<p>(<em>New York Jewish Week<\/em> via JTA) \u2014 \u201cI\u2019ve always wanted to write about the Holocaust,\u201d the playwright Mois\u00e9s Kaufman, son of a Romanian Holocaust survivor, told me this week. \u201cBut it\u2019s the one thing in history that has been most written about. What is there new to say?\u201d<\/p>\n<div id=\"attachment_81385\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/08Scott-Barrow-Elizabeth-Stahlmann-and-Nemuna-Ceesay-in-HERE-THERE-ARE-BLUEBERRIES-at-New-York-Theatre-Workshop-Photo-by-Matthew-Murphy.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-81385\" class=\"wp-image-81385 size-medium lazyload\" data-src=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/08Scott-Barrow-Elizabeth-Stahlmann-and-Nemuna-Ceesay-in-HERE-THERE-ARE-BLUEBERRIES-at-New-York-Theatre-Workshop-Photo-by-Matthew-Murphy-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" data-srcset=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/08Scott-Barrow-Elizabeth-Stahlmann-and-Nemuna-Ceesay-in-HERE-THERE-ARE-BLUEBERRIES-at-New-York-Theatre-Workshop-Photo-by-Matthew-Murphy-300x200.jpg 300w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/08Scott-Barrow-Elizabeth-Stahlmann-and-Nemuna-Ceesay-in-HERE-THERE-ARE-BLUEBERRIES-at-New-York-Theatre-Workshop-Photo-by-Matthew-Murphy-1024x683.jpg 1024w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/08Scott-Barrow-Elizabeth-Stahlmann-and-Nemuna-Ceesay-in-HERE-THERE-ARE-BLUEBERRIES-at-New-York-Theatre-Workshop-Photo-by-Matthew-Murphy-768x512.jpg 768w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/08Scott-Barrow-Elizabeth-Stahlmann-and-Nemuna-Ceesay-in-HERE-THERE-ARE-BLUEBERRIES-at-New-York-Theatre-Workshop-Photo-by-Matthew-Murphy.jpg 1200w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/200;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-81385\" class=\"wp-image-81385 size-medium\" src=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/08Scott-Barrow-Elizabeth-Stahlmann-and-Nemuna-Ceesay-in-HERE-THERE-ARE-BLUEBERRIES-at-New-York-Theatre-Workshop-Photo-by-Matthew-Murphy-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/08Scott-Barrow-Elizabeth-Stahlmann-and-Nemuna-Ceesay-in-HERE-THERE-ARE-BLUEBERRIES-at-New-York-Theatre-Workshop-Photo-by-Matthew-Murphy-300x200.jpg 300w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/08Scott-Barrow-Elizabeth-Stahlmann-and-Nemuna-Ceesay-in-HERE-THERE-ARE-BLUEBERRIES-at-New-York-Theatre-Workshop-Photo-by-Matthew-Murphy-1024x683.jpg 1024w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/08Scott-Barrow-Elizabeth-Stahlmann-and-Nemuna-Ceesay-in-HERE-THERE-ARE-BLUEBERRIES-at-New-York-Theatre-Workshop-Photo-by-Matthew-Murphy-768x512.jpg 768w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/08Scott-Barrow-Elizabeth-Stahlmann-and-Nemuna-Ceesay-in-HERE-THERE-ARE-BLUEBERRIES-at-New-York-Theatre-Workshop-Photo-by-Matthew-Murphy.jpg 1200w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/noscript><\/a><\/p>\n<p id=\"caption-attachment-81385\" class=\"wp-caption-text\">Scott Barrow, Elizabeth Stahlmann and Nemuna Ceesay portray Holocaust archivists investigating a mysterious photo album from World War II. (Photo by Matthew Murphy)<\/p>\n<\/div>\n<p>One answer came in an article on the front page of the New York Times, dated Sept. 19, 2017, about a remarkable album of photographs donated anonymously to the U.S. Holocaust Memorial Museum. More than 100 carefully mounted snapshots depict Nazi soldiers and unidentified young women in relaxed poses \u2014 sunbathing, enjoying an accordion recital, eating bowls of blueberries on a length of fence.&nbsp;<\/p>\n<p>Thanks to the detective work of a young archivist named Rebecca Erbelding, the photos began to give up their secrets. They were taken and collected between 1944 and 1945 by Karl H\u00f6cker, the adjutant, or right-hand man, to Rudolf H\u00f6ss, the commandant of Auschwitz. They include high-ranking architects of the Nazi death machine, including Josef Mengele, the death camp\u2019s notorious and rarely photographed \u201cangel of death.\u201d They show camp guards and their families relaxing at Solah\u00fctte, a spa built on the far reaches of the camp complex.<\/p>\n<p>What they don\u2019t depict are any of the 1.1 million Jews being exterminated by and under the direction of the officers and flunkies seen smiling in what Kaufman\u2019s frequent collaborator, Amanda Gronich, calls \u201cthe selfies of an SS officer.\u201d<\/p>\n<p>The Venezuelan-born Kaufman, best known for \u201cThe Laramie Project,\u201d a play and HBO film about the murder of the gay student Matthew Shepard, had found his latest subject.<\/p>\n<p>\u201cWe\u2019re trying to understand something profound about the people in the photographs,\u201d Kaufman said. \u201cI always felt if we did our job correctly, the play would speak to many moments in history, because the play basically deals with this idea that there\u2019s a continuum between culpability, complicity and complacency.\u201d<\/p>\n<div id=\"attachment_81386\" style=\"width: 310px\" class=\"wp-caption alignright\"><a href=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/05-16-24-Moises-Kaufman-and-Amanda-Gronich-Photo-by-Jenny-Anderson-1.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-81386\" class=\"wp-image-81386 size-medium lazyload\" data-src=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/05-16-24-Moises-Kaufman-and-Amanda-Gronich-Photo-by-Jenny-Anderson-1-300x167.jpg\" alt=\"\" width=\"300\" height=\"167\" data-srcset=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/05-16-24-Moises-Kaufman-and-Amanda-Gronich-Photo-by-Jenny-Anderson-1-300x167.jpg 300w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/05-16-24-Moises-Kaufman-and-Amanda-Gronich-Photo-by-Jenny-Anderson-1-1024x569.jpg 1024w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/05-16-24-Moises-Kaufman-and-Amanda-Gronich-Photo-by-Jenny-Anderson-1-768x427.jpg 768w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/05-16-24-Moises-Kaufman-and-Amanda-Gronich-Photo-by-Jenny-Anderson-1-1536x854.jpg 1536w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/05-16-24-Moises-Kaufman-and-Amanda-Gronich-Photo-by-Jenny-Anderson-1-2048x1139.jpg 2048w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/167;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-81386\" class=\"wp-image-81386 size-medium\" src=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/05-16-24-Moises-Kaufman-and-Amanda-Gronich-Photo-by-Jenny-Anderson-1-300x167.jpg\" alt=\"\" width=\"300\" height=\"167\" srcset=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/05-16-24-Moises-Kaufman-and-Amanda-Gronich-Photo-by-Jenny-Anderson-1-300x167.jpg 300w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/05-16-24-Moises-Kaufman-and-Amanda-Gronich-Photo-by-Jenny-Anderson-1-1024x569.jpg 1024w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/05-16-24-Moises-Kaufman-and-Amanda-Gronich-Photo-by-Jenny-Anderson-1-768x427.jpg 768w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/05-16-24-Moises-Kaufman-and-Amanda-Gronich-Photo-by-Jenny-Anderson-1-1536x854.jpg 1536w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/05-16-24-Moises-Kaufman-and-Amanda-Gronich-Photo-by-Jenny-Anderson-1-2048x1139.jpg 2048w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/noscript><\/a><\/p>\n<p id=\"caption-attachment-81386\" class=\"wp-caption-text\">Mois\u00e9s Kaufman and Amanda Gronich co-wrote &#8220;Here There Are Blueberries,&#8221; based on the discovery of a previously unknown album of photos from Auschwitz. (Jenny Anderson)<\/p>\n<\/div>\n<p>The result of his latest collaboration with Gronich, \u201cHere There Are Blueberries\u201d is now playing at New York Theatre Workshop, in a taut, 90-minute production that was a finalist for this year\u2019s Pulitzer Prize in drama. Based on interviews with its subjects, the play puts Erbelding (Elizabeth Stahlmann) at the center of what the co-authors call a \u201cdetective story\u201d \u2014 less a whodunit than an exploration of why they did it and, perhaps most chillingly, what separates these former clerks, bank tellers and teenage girls from the rest of us.&nbsp;<\/p>\n<p>\u201cWe were trying to take away any ability from the audience members to create a distance between what the Nazis did and we are all capable of doing,\u201d said Kaufman in a joint Zoom call with Gronich. \u201cThe Nazis were not monsters \u2014 they were normal people who did monstrous things. And if you can keep that in your brain, as uncomfortable as that is, then you have to ask yourself the question: What would I do in that situation?\u201d<\/p>\n<p>\u201cBlueberries\u201d joins a long list of recent plays focusing on the Holocaust, including Tom Stoppard\u2019s Broadway hit \u201cLeopoldstadt,\u201d Joshua Harmon\u2019s \u201cPrayer for the French Republic,\u201d a new \u201cCabaret\u201d revival and, returning this fall after a staging at the Brooklyn Academy of Music, \u201cOur Class,\u201d about a 1941 pogrom in a Polish village.&nbsp;<\/p>\n<p>The play also arrives on the heels of \u201cThe Zone of Interest,\u201d Jonathan Glazer\u2019s Oscar-winning film about H\u00f6ss, which similarly depicts Nazi families gamboling in the shadow of the death camp. The H\u00f6ss family photos also are featured in \u201cBlueberries,\u201d accompanying the testimony of one of the commandant\u2019s appalled and repentant grandsons. H\u00f6ss\u2019 son is the subject of an upcoming Warner Bros. Pictures documentary, \u201cThe Commandant\u2019s Shadow.\u201d&nbsp;<\/p>\n<p>When I asked about the confluence of the films and his play, Kaufman noted that projects on similar topics often arrive at the same time. But he also noted trends in Holocaust scholarship, which in the past 10 years or so has shifted attention from the victims to the perpetrators. In 2017, for instance, Clark University\u2019s Strassler Center for Holocaust and Genocide Studies held an international conference on \u201cperpetrators and justice,\u201d and the human rights lawyer Philippe Sand has written a number of recent books about high-ranking Nazis and their families.<\/p>\n<p>Gronich also suggested that scholars want to gather these stories before it is too late. \u201cJust as the survivors are disappearing, so too are the perpetrators,\u201d she said. \u201cWe\u2019re about to lose all the witnesses.\u201d<\/p>\n<div id=\"attachment_81387\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/eb56cd39-0cf2-4a0d-b466-d16d0290803b.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-81387\" class=\"wp-image-81387 size-medium lazyload\" data-src=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/eb56cd39-0cf2-4a0d-b466-d16d0290803b-300x167.jpg\" alt=\"\" width=\"300\" height=\"167\" data-srcset=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/eb56cd39-0cf2-4a0d-b466-d16d0290803b-300x167.jpg 300w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/eb56cd39-0cf2-4a0d-b466-d16d0290803b-1024x569.jpg 1024w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/eb56cd39-0cf2-4a0d-b466-d16d0290803b-768x427.jpg 768w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/eb56cd39-0cf2-4a0d-b466-d16d0290803b.jpg 1080w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/167;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-81387\" class=\"wp-image-81387 size-medium\" src=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/eb56cd39-0cf2-4a0d-b466-d16d0290803b-300x167.jpg\" alt=\"\" width=\"300\" height=\"167\" srcset=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/eb56cd39-0cf2-4a0d-b466-d16d0290803b-300x167.jpg 300w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/eb56cd39-0cf2-4a0d-b466-d16d0290803b-1024x569.jpg 1024w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/eb56cd39-0cf2-4a0d-b466-d16d0290803b-768x427.jpg 768w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2024\/06\/eb56cd39-0cf2-4a0d-b466-d16d0290803b.jpg 1080w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/noscript><\/a><\/p>\n<p id=\"caption-attachment-81387\" class=\"wp-caption-text\">Rudolf H\u00f6ss, far right, is shown in a photograph with, from left, fellow SS officers Richard Baer and Dr. Josef Mengele, at Solah\u00fctte, the SS retreat outside of Auschwitz. (Karl H\u00f6cker album\/U.S. Holocaust Memorial Museum)<\/p>\n<\/div>\n<p>\u201cThe Zone of Interest\u201d became a talking point in the discourse around the Israel-Hamas war when Glazer spoke in his Oscars speech of Israel\u2019s \u201cdehumanizing\u201d occupation. Kaufman noted that he began work on his play seven years ago, and says he leaves it to the audience \u201cto have a conversation with the play about not only who they are but about what\u2019s happening in the world.\u201d<\/p>\n<p>What separates \u201cBlueberries\u201d from other works about the Holocaust, and avoids what one critic calls \u201cHolokitsch,\u201d is its forensic examination of the perpetrators. (The play is set in the archivists\u2019 laboratory, with the photographs projected behind them in exquisite, chilling detail.)&nbsp;In the play, Judith Cohen, a real-life curator at the museum (played by theater legend Kathleen Chalfant), reminds Erbelding that the mandate of the museum is to elevate and memorialize the victims, not the perpetrators. The two debate whether displaying the photos will somehow \u201cnormalize\u201d the Nazis or traumatize survivors.<\/p>\n<p>Two other shifts in focus (a phrase to be taken almost literally in a play that begins with a spotlight on the portable Leica camera popular in war-time Germany) also distinguish the play. Kaufman and Gronich introduce Tilman Taube, a German businessman who saw the H\u00f6cker photographs in a German newspaper and recognized his grandfather, a doctor, in an SS uniform. Taube\u2019s interviews with the children and grandchildren of other perpetrators seen in the photos produce some of the play\u2019s most startling monologues.&nbsp;<\/p>\n<p>Finally, the play pivots once again to include the testimony of Lili Jacob, an Auschwitz survivor who, while recovering from typhus at a camp hospital, discovered yet another album of photos taken by the SS. These include photographs of her and the moment when the rest of her family were selected for the gas chambers.&nbsp;As the photos are shown behind her, Stahlmann offers Jacob\u2019s testimony \u2014 images and words that the Germans tried desperately to keep out of the frame.<\/p>\n<p>\u201cI\u2019ve been doing theater for 40 years now,\u201d said Kaufman. \u201cI have never heard the kind of silence that I hear in the audience when they\u2019re watching this play.\u201d<\/p>\n<p>In a talkback after a recent performance, Menachem Rosensaft, an attorney and former official of the World Jewish Congress who was born to survivor parents at the Bergen-Belsen displaced persons camp, said \u201cBlueberries\u201d was \u201cone of the strongest and most powerful depictions of the Holocaust that we have.\u201d<\/p>\n<p>And perhaps that\u2019s because while the show tells an intensely specific story, it also widens the lens to place important demands on the audience. The play takes its name from the photograph of those women enjoying a snack on day off from staffing the phone lines and Telex machines at the death camp\u2019s communications center.&nbsp;<\/p>\n<p>The play asks: How much did they know? But another question stuck with me hours after I left the theater: What would it take for my friends and neighbors \u2014 what it would take for me \u2014 to be pulled into or turn a blind eye to a system of barbarity or lawlessness in the name of country or an ideology?<\/p>\n<p>\u201cWhat happens when an ideology, a group think, captures the imagination of a nation?\u201d said Gronich. \u201cWhat happens when you are coming from a place of deep-seated belief that what you were doing is necessary \u2014 that what you were doing is the right thing?\u201d<\/p>\n<p><em>New York Theatre Workshop (79 East 4th St.) presents \u201c<\/em><strong>Here There Are Blueberries<\/strong><em>\u201d through June 30. A co-production with Tectonic Theater Project, it is co-written by Mois\u00e9s Kaufman and Amanda Gronich and conceived and directed by Kaufman.<\/em><\/p>\n<p>The views and opinions expressed in this article are those of the author and do not necessarily reflect the views of JTA or its parent company, 70 Faces Media.<\/p>\n<div style=\"padding-bottom:20px; padding-top:10px;\" class=\"hupso-share-buttons\"><!-- Hupso Share Buttons - https:\/\/www.hupso.com\/share\/ --><a class=\"hupso_toolbar\" href=\"https:\/\/www.hupso.com\/share\/\"><img decoding=\"async\" data-src=\"https:\/\/static.hupso.com\/share\/buttons\/share-medium.png\" style=\"border:0px; padding-top: 5px; float:left;\" alt=\"Share Button\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" \/><noscript><img decoding=\"async\" src=\"https:\/\/static.hupso.com\/share\/buttons\/share-medium.png\" style=\"border:0px; padding-top: 5px; float:left;\" alt=\"Share Button\"\/><\/noscript><\/a><script type=\"text\/javascript\">var hupso_services_t=new Array(\"Twitter\",\"Facebook\",\"Google Plus\",\"Pinterest\",\"Linkedin\",\"Tumblr\",\"Email\");var hupso_background_t=\"#EAF4FF\";var hupso_border_t=\"#66CCFF\";var hupso_toolbar_size_t=\"medium\";var hupso_image_folder_url = \"\";var hupso_url_t=\"\";var hupso_title_t=\"In%20%E2%80%98Here%20There%20Are%20Blueberries%2C%E2%80%99%20playwrights%20Mois%C3%A9s%20Kaufman%20and%20Amanda%20Gronich%20focus%20on%20the%20perpetrators%20of%20the%20Holocaust\";<\/script><script type=\"text\/javascript\" src=\"https:\/\/static.hupso.com\/share\/js\/share_toolbar.js\"><\/script><!-- Hupso Share Buttons --><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":81421,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[7122],"tags":[13807,632,13812,13808,8790,8795,3741,13810,8788,13813,13809,13811],"_links":{"self":[{"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/posts\/81384"}],"collection":[{"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/comments?post=81384"}],"version-history":[{"count":1,"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/posts\/81384\/revisions"}],"predecessor-version":[{"id":81388,"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/posts\/81384\/revisions\/81388"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/media\/81421"}],"wp:attachment":[{"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/media?parent=81384"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/categories?post=81384"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/tags?post=81384"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}