{"id":87387,"date":"2025-04-21T02:35:58","date_gmt":"2025-04-21T07:35:58","guid":{"rendered":"https:\/\/www.crescentcityjewishnews.com\/?p=87387"},"modified":"2025-04-21T02:35:58","modified_gmt":"2025-04-21T07:35:58","slug":"battling-cancer-famed-jewish-conductor-michael-tilson-thomas-prepares-for-his-last-concert","status":"publish","type":"post","link":"https:\/\/www.crescentcityjewishnews.com\/blog\/battling-cancer-famed-jewish-conductor-michael-tilson-thomas-prepares-for-his-last-concert\/","title":{"rendered":"Battling cancer, famed Jewish conductor Michael Tilson Thomas prepares for his last concert"},"content":{"rendered":"<p>By PENNY SCHWARTZ<\/p>\n<p>(JTA) \u2014 Half a century ago, in the fall of 1969, Michael Tilson Thomas \u2014 a promising, young conductor and scion of Yiddish theater royalty \u2014 lifted his baton for his New York debut with the Boston Symphony Orchestra, where he had recently been appointed assistant conductor and pianist.<\/p>\n<div id=\"attachment_87388\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2025\/04\/MTT-2.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-87388\" class=\"wp-image-87388 size-medium lazyload\" data-src=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2025\/04\/MTT-2-300x167.jpg\" alt=\"\" width=\"300\" height=\"167\" data-srcset=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2025\/04\/MTT-2-300x167.jpg 300w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2025\/04\/MTT-2-1024x569.jpg 1024w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2025\/04\/MTT-2-768x427.jpg 768w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2025\/04\/MTT-2-1536x853.jpg 1536w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2025\/04\/MTT-2-2048x1138.jpg 2048w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/167;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-87388\" class=\"wp-image-87388 size-medium\" src=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2025\/04\/MTT-2-300x167.jpg\" alt=\"\" width=\"300\" height=\"167\" srcset=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2025\/04\/MTT-2-300x167.jpg 300w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2025\/04\/MTT-2-1024x569.jpg 1024w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2025\/04\/MTT-2-768x427.jpg 768w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2025\/04\/MTT-2-1536x853.jpg 1536w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2025\/04\/MTT-2-2048x1138.jpg 2048w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/noscript><\/a><\/p>\n<p id=\"caption-attachment-87388\" class=\"wp-caption-text\">Michael Tilson Thomas conducting the Boston Symphony Orchestra at Tanglewood, in Beethoven&#8217;s 9th Symphony on August 28, 2022. It was Tilson Thomas&#8217;s last concert with the BSO, (Hilary Scott\/Courtesy Boston Symphony Orchestra).<\/p>\n<\/div>\n<p>In one of those rare unscripted moments, Tilson Thomas was tapped to take the place of William Steinberg, the orchestra\u2019s music director, who had fallen sick mid-concert.<\/p>\n<p>The widely acclaimed performance by the then 24-year-old catapulted Tilson Thomas onto the world stage.<\/p>\n<p>There was no turning back from his meteoric rise, and Tilson Thomas spent the next decades conducting some of the world\u2019s most prestigious orchestras.<\/p>\n<p>For a quarter-century, Tilson Thomas, the ebullient grandson of Jewish-Ukrainian immigrants who became stars of New York City\u2019s vibrant Yiddish theater scene, served as music director of the San Francisco Symphony, where, for the last five years, he\u2019s been music director laureate.<\/p>\n<p>Later this month, on April 26, the acclaimed 12-time Grammy-winning maestro will raise his baton with the SFS in a concert to celebrate his 80th birthday, which fell last December.<\/p>\n<p>The concert will be Tilson Thomas\u2019s last public performance, a notable evening that will surely evoke bittersweet emotions for audiences that still see him as an ambassador for classical music, mentor to budding musicians and proud heir of his Jewish heritage.<\/p>\n<p>Two months ago, Tilson Thomas announced that, after three years in remission, his aggressive form of brain cancer had returned.<\/p>\n<p>\u201cNow is the time to wind down my public appearances,\u201d he wrote, in a heart-tugging message that he posted on his website. Following the performance with the SFS, he wrote: \u201cWe all get to say the old show business expression, \u2018It\u2019s a wrap.\u2019\u201d<\/p>\n<p>\u201cLife is precious,\u201d he signed off.<\/p>\n<p>Tilson Thomas expressed gratitude for the fulfilling life he has led, one that he shares with his husband, Joshua Robison. The couple met in middle school and have been together for nearly 50 years.<\/p>\n<p>\u201cA coda is a musical element at the end of a composition that brings the whole piece to a conclusion,\u201d he noted. \u201cA coda can vary greatly in length. My life\u2019s coda is generous and rich.\u201d<\/p>\n<p>In the course of his career, Tilson Thomas has embraced his Jewish roots and identity through a diverse array of compositions including <a href=\"https:\/\/www.crescentcityjewishnews.com\/michael-tilson-thomas-conducts-from-the-diary-of-anne-frank-in-s-f\/\">\u201cFrom the Diary of Anne Frank,\u201d<\/a> commissioned in 1969 by UNICEF for the actress Audrey Hepburn.<\/p>\n<p>In 2018, he composed and conducted \u201cGrace,\u201d an 80th-birthday tribute to his mentor and colleague, Leonard Bernstein, another Jewish wunderkind to whom he was often compared. He conducted the narrated piece with the BSO, at Tanglewood in Western Massachusetts.<\/p>\n<p>His most well known project with Jewish themes is \u201cThe Thomashefskys: Music and Memories of a Life in the Yiddish Theater.\u201d<\/p>\n<div id=\"attachment_87389\" style=\"width: 1034px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2025\/04\/Michael-Tilson-Thomas_Boris-Thomashefsky.webp\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-87389\" class=\"wp-image-87389 size-large lazyload\" data-src=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2025\/04\/Michael-Tilson-Thomas_Boris-Thomashefsky-1024x569.webp\" alt=\"\" width=\"1024\" height=\"569\" data-srcset=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2025\/04\/Michael-Tilson-Thomas_Boris-Thomashefsky-1024x569.webp 1024w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2025\/04\/Michael-Tilson-Thomas_Boris-Thomashefsky-300x167.webp 300w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2025\/04\/Michael-Tilson-Thomas_Boris-Thomashefsky-768x427.webp 768w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2025\/04\/Michael-Tilson-Thomas_Boris-Thomashefsky-1536x853.webp 1536w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2025\/04\/Michael-Tilson-Thomas_Boris-Thomashefsky-2048x1138.webp 2048w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/569;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-87389\" class=\"wp-image-87389 size-large\" src=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2025\/04\/Michael-Tilson-Thomas_Boris-Thomashefsky-1024x569.webp\" alt=\"\" width=\"1024\" height=\"569\" srcset=\"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2025\/04\/Michael-Tilson-Thomas_Boris-Thomashefsky-1024x569.webp 1024w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2025\/04\/Michael-Tilson-Thomas_Boris-Thomashefsky-300x167.webp 300w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2025\/04\/Michael-Tilson-Thomas_Boris-Thomashefsky-768x427.webp 768w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2025\/04\/Michael-Tilson-Thomas_Boris-Thomashefsky-1536x853.webp 1536w, https:\/\/www.crescentcityjewishnews.com\/blog\/wp-content\/uploads\/2025\/04\/Michael-Tilson-Thomas_Boris-Thomashefsky-2048x1138.webp 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/noscript><\/a><\/p>\n<p id=\"caption-attachment-87389\" class=\"wp-caption-text\">Boris Thomashefsky, left, the grandfather of Michael Tilson Thomas, was with his wife Bessie a titan of the Yiddish theater; at right, Tilson Thomas with his mentor, Leonard Bernstein, in 1988 at Tanglewood, the summer home of the Boston Symphony Orchestra, where both musicians conducted and taught throughout their careers. (Wikipedia; Walter Scott\/Courtesy Boston Symphony Orchestra)<\/p>\n<\/div>\n<p>It\u2019s an homage to his immigrant grandparents, Boris and Bessie, who, in the early years of the 20th century became trailblazing performers and producers of Yiddish theater on New York\u2019s Lower East Side.<\/p>\n<p>\u201cMy grandparents became megastars, in their new country. The Yiddish theatre was central to their lives,\u201d Tilson Thomas wrote. \u201cThe Thomashefskys,\u201d performed internationally, expressed Tilson Thomas\u2019s pride in his Jewish roots, according to Joshua Jacobson, founder and artistic director of Zamir Chorale of Boston and a scholar of Jewish music.<\/p>\n<p>\u201cHe wasn\u2019t hiding the fact that he is Jewish. In fact, he was doing programs about it,\u201d Jacobson said.<\/p>\n<p>In 1987, Tilson Thomas launched the New World Symphony in Miami; his vision was to create an orchestra that offered young musicians an opportunity to navigate the transition between their academic studies and establishing their careers. He now serves as its artistic director laureate.<\/p>\n<p>Such career transitions were a widely acknowledged problem, according to Howard Herring, the orchestra\u2019s CEO.<\/p>\n<p>\u201cMichael had a solution \u2014 the concept that became the New World Symphony,\u201d Herring wrote in an email.<\/p>\n<p>The strength of the idea attracted the attention of Ted and Lin Arison, Jewish philanthropists and supporters of the arts who became the orchestra\u2019s co-founders. (Ted Arison, an Israeli businessman who made his fortune in cruise lines, died in 1999.)<\/p>\n<p>That same year, in 1987, Tilson Thomas made the first of two tours of Israel \u2014 spearheaded by the Arisons and their foundation \u2014 conducting the Israel Philharmonic. He next conducted there in 2018, for the celebration of the nation\u2019s 70th anniversary.<\/p>\n<p>Many consider his passion for nurturing new generations of musicians among his most enduring legacies. Among them is Teddy Abrams, the conductor of the Louisville Orchestra, who studied with Tilson Thomas in the early years of his career.<\/p>\n<p>Abrams, who is Jewish, credits Tilson Thomas with encouraging him to pursue his childhood dream of becoming a conductor, when Abrams was just 9 years old.<\/p>\n<p>He went on to study with the maestro, who became his mentor.<\/p>\n<p>They\u2019ve remained as close as family, Abrams said last month at Boston\u2019s Symphony Hall, when the 37-year-old made his debut with the BSO, conducting Leonard Bernstein\u2019s Symphonic Dances from \u201cWest Side Story\u201d on the stage where Tilson Thomas started his career.<\/p>\n<p>\u201cHe\u2019s one of the most important educators alive,\u201d Abrams said.<\/p>\n<p>For both Abrams and Tilson Thomas, their Jewish identities are cultural, through music, going back generations. Their families were both from Eastern Europe, Hungary and Russia.<\/p>\n<p>Among Tilson Thomas\u2019s Jewish-themed compositions, Abrams is most drawn to \u201cFrom the Diary of Anne Frank.\u201d<\/p>\n<p>\u201cIt\u2019s a standout masterpiece. It is extremely powerful. I hope it\u2019s a piece that everybody gets a chance to hear, especially in these times. I think it will be one of his major legacy works,\u201d said Abrams, who recently steered the Louisville Orchestra to perform an opera that its former concertmaster once performed in a Nazi concentration camp.<\/p>\n<p>As Tilson Thomas\u2019s public performances draw to a close, Abrams sees the deep satisfaction his friend and mentor is experiencing in his work.<\/p>\n<p>\u201cBeing on the podium is where he belongs. I think he\u2019s at his personal happiest,\u201d Abrams reflected.&nbsp; \u201cThere\u2019s no pressure. He is making music in the purest sense. I can see how much joy that brings him.\u201d<\/p>\n<div style=\"padding-bottom:20px; padding-top:10px;\" class=\"hupso-share-buttons\"><!-- Hupso Share Buttons - https:\/\/www.hupso.com\/share\/ --><a class=\"hupso_toolbar\" href=\"https:\/\/www.hupso.com\/share\/\"><img decoding=\"async\" data-src=\"https:\/\/static.hupso.com\/share\/buttons\/share-medium.png\" style=\"border:0px; padding-top: 5px; float:left;\" alt=\"Share Button\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" \/><noscript><img decoding=\"async\" src=\"https:\/\/static.hupso.com\/share\/buttons\/share-medium.png\" style=\"border:0px; padding-top: 5px; float:left;\" alt=\"Share Button\"\/><\/noscript><\/a><script type=\"text\/javascript\">var hupso_services_t=new Array(\"Twitter\",\"Facebook\",\"Google Plus\",\"Pinterest\",\"Linkedin\",\"Tumblr\",\"Email\");var hupso_background_t=\"#EAF4FF\";var hupso_border_t=\"#66CCFF\";var hupso_toolbar_size_t=\"medium\";var hupso_image_folder_url = \"\";var hupso_url_t=\"\";var hupso_title_t=\"Battling%20cancer%2C%20famed%20Jewish%20conductor%20Michael%20Tilson%20Thomas%20prepares%20for%20his%20last%20concert\";<\/script><script type=\"text\/javascript\" src=\"https:\/\/static.hupso.com\/share\/js\/share_toolbar.js\"><\/script><!-- Hupso Share Buttons --><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":87388,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[8790,8795,9725,8788],"_links":{"self":[{"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/posts\/87387"}],"collection":[{"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/comments?post=87387"}],"version-history":[{"count":1,"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/posts\/87387\/revisions"}],"predecessor-version":[{"id":87390,"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/posts\/87387\/revisions\/87390"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/media\/87388"}],"wp:attachment":[{"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/media?parent=87387"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/categories?post=87387"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.crescentcityjewishnews.com\/blog\/wp-json\/wp\/v2\/tags?post=87387"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}