“Yiddishe Shtunde,” a play written by Elliott Raisen and based on the old Yiddish radio shows he grew up with in New York, will enjoy its final two performances tonight and tomorrow night at 8:00 p.m. at the Theatre at...
(JTA) — Josh Radnor is starring these days in Richard Greenberg’s off-Broadway play “The Babylon Line.” For the 42-year-old actor, it is the latest in a long and impressive list of credits.
By ALAN SMASON, WYES-TV Theatre Critic (“Steppin’ Out“)
When Barbra Streisand tackled the challenge of playing Fanny Brice in Funny Girl in 1964, she had been seen on the Broadway stage only once previously. Her role as Miss Marmelstein in I...
By ALAN SMASON, Theatre Critic, WYES-TV (“Steppin’ Out”)
There’s little doubt that the nature of the ensemble cast of The Front Page could draw large audiences for the entirety of its strictly limited run on paper (pun intended). First, there’s Tony Award...
By ALAN SMASON, WYES-TV Theatre Critic (“Steppin’ Out”)
There is an overwhelming tendency in Lisa D’Amour’s Airline Highway for characters to talk over one another. This is apparently how our native daughter hears the conversations of the real life New...
By ALAN SMASON, Theatre Critic, WYES-TV (“Steppin’ Out”)
With its current production Pictures of Marilyn now playing weekends at BB’s Stage Door Canteen, the National World War II Museum has taken a bold step in a new theatrical direction. Courtney Boe,...
LOS ANGELES (JTA)– Gordon Davidson, a Brooklyn-born director and producer who played a key role in transforming Los Angeles from a perceived theatrical backwater into a creative center for innovative and controversial plays, has died
By ALAN SMASON, Theatre Critic, WYES-TV (“Steppin’ Out”)
There is a point in the second act of the current production of Jefferson Performing Arts Society’s “West Side Story” where the Leonard Bernstein and Stephen Sondheim musical merges into the ethereal...
By ALAN SMASON, Theatre Critic, WYES-TV (“Steppin’ Out”)
By all things reasonable, Waitress, the Broadway musical currently serving its fare at the Brooks Atkinson Theatre in New York, should have never made it to Broadway. It is a story of...
